Mary's Visionary Comfort through Peter Pan
Published October 20, 2026 at 1:09 AM
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Young Woman's Journal Research
After the death of their four-year-old son, Mary fell into a state of deep depression, refusing to speak of the child or cry. During a performance of the play Peter Pan in Salt Lake City, Mary was moved to tears and felt the spiritual presence of her deceased son. She experienced an emotional and spiritual healing, feeling that the child had come to comfort her and teach her the truth about the completeness of his short life, thus breaking her hardened state.
In Their Own Words
“At home again in their room, she came to him with a tearful gladness and unburdened her tired soul. 'Wasn't she wonderful, Bert! And her voice! Couldn’t you hear little Bert's voice and catch his happy laugh? It was as though he came to me to comfort me—knew my black thoughts and wanted to teach me the truth. I had thought his little life so cruelly wrecked. He was such a little tad, Bert. And he had seemed so eager for the years to come. I felt that he had been brutally robbed, and I wouldn't accept his fate. I’m such a spoilt child, Bert. But now I know the truth. Short as his little life was, it was full, complete. That was what Peter taught me—the utter completeness of it. My life will be no more perfect a whole if I live to be a hundred.' — The Young Woman's Journal 23:9”
Sources & References
The Young Woman's Journal, vol. 23 no. 9 (September 1912). L. Tom Perry Special Collections, Harold B. Lee Library, Brigham Young University digital collections. https://contentdm.lib.byu.edu/digital/collection/YWJ/id/16318 (account extracted verbatim from the collection's page-level OCR; research confidence: high)
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